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kabbalah kahn fritz kant immanuel kaufmann edgar kennedy john f khrushchev nikita kierkegaard soren kim jong-un king james version kinship kirov sergei kleist heinrich von knowledge knox robert kogai tanaka korea kosovo koxinga kruger diane kyoto protocol

[M]odern art still commonly refers to a rather narrow range of meaning and scope. It basically focuses on developments in Paris (Impressionism etc.) in the nineteenth century, and to selected Euro-American movements in the twentieth century (Cubism, Abstract Expressionism etc). But if we understand modernity as a socially transformative condition that was in force across much of the world from the nineteenth century on, how are we to understand artistic practices that were associated with these momentous changes?

Iftikhar Dadi,
Interview of March 26, 2012

The two world wars of the twentieth century were a product of the dislocations brought about of modernization in an environment where great power competition and the drive for hegemony were conducted primarily by violent means. Now that this era has passed in Europe and is receding in much of the Pacific rim, and hegemony achieved by force is no longer considered a legitimate ambition, the security requirements and fears of great powers should decline.

Richard Ned Lebow,
Interview of October 4, 2010