Paula Lupkin

 

On her book Manhood Factories: YMCA Architecture and the Making of Modern Urban Culture

Cover Interview of November 22, 2010

A close-up

One of the most intriguing visual elements of Manhood Factories is the extensive reproduction of postcards from the more than 10,000 items preserved in the Cliff Smith YMCA Postcard Collection at Springfield College.

Postcards are perhaps the richest source I encountered in my research because they offer so many layers of information.  From a purely documentary standpoint, they serve as record of the appearance of Y buildings.  Too often these buildings have been demolished and postcards are a quick and accessible snapshot of a building’s form and immediate context.  Taken together, they provide a catalog of YMCA buildings that is unmatched in its completeness.


rorotoko.com A selection of postcards from the Cliff Smith YMCA Postcard Collection depicting buildings designed by specialist architects Shattuck and Hussey, 1904-1916.

The importance of these postcards, however, goes far beyond simple documentation.  Placed side by side, as they are arranged in the book, the postcards highlight the impact of standardization on the organization’s architectural identity.  Seeing building after building in the same size and same style really drives home the idea of the YMCA as a building “type” that helped to define Main Street America.

First introduced in the late nineteenth century and legalized by the postal service in 1901, correspondence cards with images printed on one side were a national craze in the first two decades of the twentieth century. They were a quick, cheap, and easy way to communicate in an age of fast mail service and still incomplete telephone systems.  Billions were sold each year, and special postcard shops opened to meet demand.

These little 3 x 5 cards, with image on one side, and often, with writing, dates, and addresses on the other, also have value as a source of information about the diffusion and reception of the YMCA building across the United States.  They are really unparalleled sources in their capacity to reveal how people learned about the YMCA, and how they understood its buildings.

YMCAs and local boosters printed cards as a symbol of pride, and they were sent all around the country as proof of the community’s progressive and moral character.  Pen pals exchanged views of YMCA buildings in their cities, traveling salesmen and young men sent home reassuring cards from the YMCA to their wives and mothers, who collected them into albums or displayed them on the mantelpiece.  The choice of a YMCA card had particular meaning for these correspondents, a fact made clear in many of the messages that were written on the verso side.

In this study, which is heavily drawn from materials published by the YMCA itself, the exchange of postcards offered refreshing and necessary insight into the popular reception of the YMCA.  It helped to explain how and why the idea of the YMCA building, invented by New Yorkers, found traction and acceptance throughout the rest of the country.  New technologies, like cheap color printing and railroad mail service, made it possible for everyday people to learn about the YMCA, to interpret it to their friends, and, through comparison to other cities, to come to understand the role of its buildings in the modern development of their hometown.  Through the collection and distribution of postcards ordinary people gained agency in making these buildings meaningful, and I was thrilled to be able to include them in the book.