Carol Becker

 

On her book Thinking in Place: Art, Action, and Cultural Production

Cover Interview of November 11, 2009

A close-up

I would hope that readers “browsing” would first look at the book’s cover.  It is a dreamy image of water taken on the Hudson River by artist Ellen Kozak.  I would want them to allow themselves to dream and wander and then to read the Prologue, which is called “Wandering Monks and Peripatetic Birds.”  It begins,” Thinking in Place: Art Action and Cultural Production is the result of the past decade of wandering.”

If people read that and then go on to read about the range of places I have visited—Vietnam, Cambodia, Laos, India, Africa, Germany and sites such as the Wannsee House (where the “Final Solution” to the “Jewish Question” was determined), they would know a lot about me and how deeply place affects me, how everything begins in sense and then becomes response. Response then translates into ideas that then become philosophical constructs that then seek to be written.  They then would know how much process matters to me; I think about writing as artists think about art making.

The readers would come to understand that the book is also about them, about how they think, and they could then reflect upon their own method of thinking in place as I have reflected on mine.